"Tumbang Preso" (toom-BAHNG PREH-so), which translates to "fallen prisoner," was a cherished childhood game that consumed hours of our time. We would play for hours until sunset or until someone got hurt. We were so competitive! This game, a vivid part of my youth, has inspired the latest painting in the series, where I delve into the intricate tapestry of food, history, and identity through a deeply personal lens.

Though the precise origins of Tumbang Preso are not well-documented, it is widely believed to have emerged in the Philippines during Spanish occupation. The game, likely influenced by both the Spanish colonizers and indigenous Filipino traditions, stands as a testament to the melding of cultures and the enduring spirit of resistance. The very name, "Tumbang Preso," symbolizes more than just a game; it embodies the Filipino struggle for autonomy and the resilience against colonial oppression.

In this painting, I focus on the condensed milk can that we favored for it robust construction and stout shape . "Liberty Condensada,” a popular brand in the Philippines, ironically featured a mestizo family with light skin and blonde-brown hair, highlighting the colonial influences embedded in everyday objects. Additionally, the game utilized tsinelas (slippers) for guarding the tin can. These slippers, introduced to the islands during colonization, symbolize societal status reflecting the attitudes towards those without them.  Through my paintings, I explore how these seemingly mundane game pieces, now imbued with personal and historical significance, serve as conduits for reflecting on identity, memory, and cultural legacy.